Tuesday, November 29

Stream it or skip it: ‘The Matrix Resurrections’ on HBO Max, a long-running sequel that’s more heartbroken than g

Now on HBO Max, The Matrix resurrections can trigger allergic reactions to meta comments, so make sure you have your EpiPen ready and go. Forget the subtext: this movie has TEXT text and refers to the apparent reluctance of director and co-writer Lana Wachowski to make a fourth Headquarters. But here she is, Lana doing it without her film partner Lilly Wachowski, bringing back Keanu Reeves and Carrie-Anne Moss as warrior couple Neo and Trinity, but without previous mainstays Hugo Weaving and Laurence Fishburne. It raises a crucial question: Does a movie that knows it’s shameless nostalgia make it better shameless nostalgia?

THE RESURRECTIONS OF THE MATRIX: STREAM IT OR SKIP IT?

The essence: A blinking green cursor. A SWAT team. A dark and wet set. A woman in faux fur. Things haven’t changed much – the SWAT guys are still shooting the faux fur lady as she runs up the walls. She’s Bugs (Jessica Henwick), hangs with a different iteration of Morpheus (Yaya Abdul-Mateen II), and her action-packed rigamarole confirms, yes, that humans are still trapped in the Matrix by nasty computer robots, and warriors still They jump between that simulation and the dirty real world.

So it’s only a matter of time until Neo (Reeves) does it again. But didn’t he die at the end of the original trilogy? Yes, but did you notice the title of this movie? Point out the reintroduction of the oh-so-deadly Thomas Anderson, a loner who seems haunted by memories of things that never happened, OR HAPPENED. Those Neo adventures v the machines we saw between 1999 and 2003? They are at the core of a video game trilogy that Anderson is famous in the industry for creating. Your boss, Smith (Jonathan Groff), writes down the name, calls you up, and says your parent company: WARNER BROS., note the use of italics Y all in capital letters, demands another sequel.

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We learn that Thomas is troubled and lonely. He attempted suicide when he stood on the edge of a building, believing he could fly. He goes to therapy, directed by a very curious partner known only as The Analyst (Neil Patrick Harris), who gives him drugs to keep psychotic breaks from reality at bay. And hey, guess what’s in the prescription bottle? BLUE PILLS. Hey brother [packing a bowl] Drop the needle on that Jefferson Airplane record, will ya? Thomas frequents a cafe called Simulatte (ha!), Where he sees a woman who invokes feelings in him, mysterious feelings, as if he had loved her and fought and died in a revolution alongside her long ago, feelings trapped in cobwebs from someone else’s memory or something. One day he says hi and finds out that her name is Tiffany and that Carrie-Anne Moss is playing her, so we definitely know what’s up and, by the way, she likes motorcycles. But it stops there because she has kids and a husband named Chad and everything we’ve seen about MISTER Anderson tells us he’s not a home wrecker.

Considering the sadness of his quasi-life and the subconscious movements of a life in which he was a superhero, Thomas accepts the opportunity to be Neo when it is presented with a moderate reluctance. He has been reborn in a vat of transparent viscous substance; fight with the “new” Morpheus in the dojo; he is informed about the state of relations between humans and machines. But life is meaningless without Tiffany-slash-Trinity, who knows that she is capable of resurrection like him, because he saw her goo-pod. But rescuing her from the Matrix is ​​a treacherous endeavor, because it will provoke evil computers and possibly reignite the war. But the heart wants what the heart wants.

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Photo: Warner Bros.

What movies will it remind you of ?: The first Headquarters it’s his era Bounty hunt. But Resurrections remember the disappointing disappointment of The Matrix Revolutions more than the brilliant and innovative original.

Performance worth watching: Moss’s tough poise and soulful tone make her stand out, just like in the first three movies.

Diálogo memorable: I come up with two clever phrases here:

“Nothing comforts anxiety like a little nostalgia.” – Morpheus

“True! There’s that word again. ” – Neo

Sex and skin: None.

Our Take: Get over all the winks and nudges the movie knows is a first act movie and you’ll recognize that Thomas / Neo, and therefore Lana Wachowski, are really struggling with big ideas here: age, wisdom, desire, regret. , pain, loss. And it’s fascinating to watch the nefarious forces of the Matrix turn on the legendary hero of the human race, using mental illness as a weapon, which is at least loosely tied to what Morpheus says about anxiety and homesickness.

But once we get to the midsection, hoo boy. Wachowski shows enough flashbacks from the first three movies to render Resurrections alarmingly close to a clip show. And she and fellow screenwriters David Mitchell and Aleksandar Hemon bury their big ideas and torpedo the dramatic momentum with a series of weary expository speeches – one from Jada Pinkett Smith as an elderly general, one from Harris to give us the long-winded perspective of the opposition. Over the things. , and one of Priyanka Chopra Jonas as one of Neo’s several allies who wear clever disguises but show not a shred of charisma beyond a sincere desire to help their hero reunite with the heroine. It’s as if all that talking is supposed to offset Reeves’ signature monosillabism, which has become more poignant minimalist as he ages.

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In the first three Headquartersis, the Wachowkis’ verbiage was at least offset by searing emotions (especially in Reloaded, with his chase on the OTT highway). Not so with Resurrections, which is frustratingly banal in the staging of its action sequences. I realize you can’t always reinvent the wheel, remember, action reinvented in “bullet time” for the digital age, but the movie lacks the high-value shots that are a staple of the franchise, and chop big pieces into a smooth salad of bullets, cartwheels, and half-kung fu. All this, because a guy pines for his old girlfriend? Because without love, this world, or the parallel world, or any other world floating around there, don’t they make sense? Please. Tell me something I don’t know, teach me something I haven’t seen.

Our calling: SKIP IT. The Matrix resurrections it’s a disappointment. Just because they exhume doesn’t mean you have to consume it.

John Serba is a freelance writer and film critic based in Grand Rapids, Michigan. Read more of his work at johnserbaatlarge.com.

Reference-www.jugomobile.com

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